I was fascinated by synthesisers and creating music from the moment I saw Blondie play ‘Heart of Glass’ on Top of the Pops in the late seventies. However, it was not until 1982 when I got my first keyboard followed by my first proper synth, a second-hand Jen SX1000 for £80. My first gig was at the age of 17 as one half of the synth duo Prolog.
I’ve written music for a variety of projects over the years, from video shorts, in-store video, radio and TV commercials, art installations, children’s songs and relaxation music. Closer to my heart though were my three self-released solo albums; ‘Parallel’ (2006), ‘Slow motion pictures’ (2008) and ‘Tomorrow is another day’ (2020). I also released an album of instrumental work in 2018, ‘Soundtrack for Darkness’.
Whilst I still use synthesisers, I try to blend them with acoustic instruments, sampled sounds and effects to create something more unusual and experimental. I work from my small studio in Lancashire where I also record as a voiceover artist.
More tracks available here
I’ve written music for a variety of projects over the years, from video shorts, in-store video, radio and TV commercials, art installations, children’s songs and relaxation music. Closer to my heart though were my three self-released solo albums; ‘Parallel’ (2006), ‘Slow motion pictures’ (2008) and ‘Tomorrow is another day’ (2020). I also released an album of instrumental work in 2018, ‘Soundtrack for Darkness’.
Whilst I still use synthesisers, I try to blend them with acoustic instruments, sampled sounds and effects to create something more unusual and experimental. I work from my small studio in Lancashire where I also record as a voiceover artist.
More tracks available here
